Armored Car Robbery (1950) poster
1950 · noir · heist · procedural

Armored Car Robbery

Directed by Richard Fleischer1h 7m1950
  • sombre
  • kinetic
  • intense
  • cold

While executing an armored car heist in Los Angeles, icy crook Dave Purvis shoots policeman Lt. Phillips before he and his cronies make off with the loot. Thinking he got away scot-free, Purvis collects his money-crazy mistress, Yvonne, then disposes of his partners and heads out of town. What Purvis doesn't know is that Phillips' partner, tough-as-nails Lt. Cordell, is wise to the criminal's plans and is closing in on his prey.

Our read · Armored Car Robbery (1950) reads as a sombre, breathless, grounded noir · heist · procedural entry — measured in intensity, mid-stakes in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

Cast
Charles McGrawAdele JergensWilliam TalmanDouglas FowleySteve Brodie
Fingerprint

The shape of Armored Car Robbery

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.

Your take
Rate it
star-clip-1-0star-clip-2-0star-clip-3-0star-clip-4-0star-clip-5-0
React
Discussion

Discussion

⌘↵ to post

What does your Movie DNA look like?

Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.

Calibrate yourself