Bad Film
- sombre
- kinetic
- extreme
- surreal
Near the end of the 20th century on Tokyo's Chuo train line, just before Hong Kong's return to Chinese control, masses of people go on a rampage, and love runs wild.
Our read · Bad Film (2012) reads as a sombre, breathless, surreal drama · gang · experimental entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
Availability in the US · via JustWatch
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The shape of Bad Film
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
Discussion
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