Faraway, So Close!
- measured
- inventive
A group of angels look longingly upon the life of humans. Berlin now is a very different place: unified in name but overrun with crime, corruption, and—in what turns out to be a key theme here—Americans.
Our read · Faraway, So Close! (1993) reads as a neutral, measured, surreal fantasy · drama · angels entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of Faraway, So Close!
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself