Femme Fatale (2002) poster
2002 · thriller · erotic · noir

Femme Fatale

Directed by Brian De Palma1h 54m2002
  • sombre
  • brisk
  • intense
  • inventive
  • cold
  • twisty

A $10-million diamond rip-off, a stolen identity, a new life married to a diplomat. Laure Ash has risked big, won big. But then a tabloid shutterbug snaps her picture in Paris, and suddenly, enemies from Laure's secret past know who and where she is. And they all want their share of the diamond heist. Or her life. Or both.

Our read · Femme Fatale (2002) reads as a sombre, breathless, inventive thriller · erotic · noir entry — measured in intensity, mid-stakes in scope, cold in temperature, ambivalent in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

Cast
Rebecca RomijnAntonio BanderasPeter CoyoteÉriq EbouaneyÉdouard Montoute
Where to watch

No streaming listing for Latvia right now — try the search links below.

More info & search links
Fingerprint

The shape of Femme Fatale

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.

Your take
Rate it
star-clip-1-0star-clip-2-0star-clip-3-0star-clip-4-0star-clip-5-0
React
Discussion

Discussion

⌘↵ to post

What does your Movie DNA look like?

Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.

Calibrate yourself