Human, Space, Time and Human
- heavy
- extreme
- surreal
- bleak
- cold
A group of very different people set sail on an old warship. The passengers include a senator with his son, a newly-wed couple, a mysterious old man, a group of sex workers and a gang of violent criminals. At first the aggressive behaviour of the thugs and their leader is directed at the first class passengers, but then more and more indiscriminately against the rest of those on board. Rape is followed by murder and it’s not long before the first of numerous and increasingly brutal mutinies takes place.
Our read · Human, Space, Time and Human (2018) reads as a heavy, steady, surreal drama · allegory · auteur entry — extreme in intensity, mid-stakes in scope, cold in temperature, nihilistic in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of Human, Space, Time and Human
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
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