Sunday Too Far Away
- sombre
The harsh, competitive world of Australian sheep-shearers provides the setting for this powerful film. Foley and 'Black Arthur' do battle for the position of 'top shearer' amid the boozy world of men isolated from civilisation. After weeks of work they are confronted with non-union labour undercutting them - a situation which leads to a violent conclusion.
Our read · Sunday Too Far Away (1975) reads as a sombre, steady, grounded drama · new-wave · working-class entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of Sunday Too Far Away
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
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