Tale 52
- heavy
- measured
- intense
- surreal
- bleak
Love leads to madness when an unstable man falls for an unsuspecting woman in this thriller from Greece. Iasonas (Giorgos Kakanakis) is throwing a party one evening when a friend introduces him to Penelope (Serafita Grigoriadou); the two quickly hit it off and soon she's sharing his home. However, before long it becomes obvious that something isn't quite right -- each of them tends to see things in different ways, Iasonas has a hard time making his memories skew with what has actually happened, and tension between them reaches the boiling point. But when the relationship finally explodes into violence, what actually happens between Iasonas and Penelope?
Our read · Tale 52 (2008) reads as a heavy, measured, surreal psychological · thriller · debut entry — extreme in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of Tale 52
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
Discussion
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