The Day of the Beast
- sombre
- kinetic
- intense
- inventive
When a rogue priest discovers the exact date the Antichrist will be born, he enlists a Death Metal record store clerk and a cheesy TV psychic for an urban spree of gore, sacrilege and twisted humor to prevent the Apocalypse.
Our read · The Day of the Beast (1995) reads as a sombre, breathless, inventive horror · comedy · cult entry — extreme in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
More info & search links
The shape of The Day of the Beast
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself