The Hills Run Red (1966) poster
1966 · revenge · prison · lizzani · morricone

The Hills Run Red

Directed by Carlo Lizzani1h 29m1966
  • sombre
  • brisk
  • intense

After the Civil War ends, two soldiers return home with a cache of stolen money. They are caught by Union troops. One escapes, but the other is sent to prison for five years. When he gets out and goes home, he finds that his wife has died in poverty because his partner kept all the money, and is now a major power in the area with an army of deadly gunmen to back him up.

Our read · The Hills Run Red (1966) reads as a sombre, kinetic, grounded revenge · prison · lizzani entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

Cast
Thomas HunterHenry SilvaDan DuryeaNicoletta MachiavelliGianna Serra
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The shape of The Hills Run Red

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
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Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.

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