
The Silence of the Mole
- heavy
- measured
Through some of the last interviews with him before his death, Guatemalan filmmaker Anaïs Taracena bravely and artfully pieces together Barahona's incredible, heroic story, as well as his testimony in 2014 on one of the worst urban massacres to take place during the war in Guatemala: the Spanish Embassy massacre in 1980.
Our read · The Silence of the Mole (2021) reads as a heavy, measured, grounded documentary · political entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of The Silence of the Mole
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself







