The Swindle (1997) poster
1997 · thriller · comedy · con

The Swindle

Directed by Claude Chabrol1h 45m1997
  • brisk

Betty and Victor, a rather ill-matched couple, tour unobtrusively around France in their motor-home, earning their living as petty con artists, until one day they find themselves involved in an international money scam which takes them on a globe-trotting adventure.

Our read · The Swindle (1997) reads as a neutral, kinetic, grounded thriller · comedy · con entry — measured in intensity, mid-stakes in scope, measured in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.

Cast
Isabelle HuppertMichel SerraultFrançois CluzetJean-François BalmerJackie Berroyer
Where to watch
StreamMUBI
All options on JustWatch

Availability in Latvia · via JustWatch

More info & search links
Fingerprint

The shape of The Swindle

DNA · twelve axes

The reading.

Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.

Mood · HeavyCosy
Pacing · Slow-burnKinetic
Intensity · GentleExtreme
Weirdness · ConventionalSurreal
Hope · NihilisticRedemptive
Stakes · IntimateEpic
Humour · NoneBroad
Reality · GroundedFantastical
Density · SparseTwisty
Warmth · ColdTender
Auteur · TransparentSignature
Nearest by DNA

Eight films that read most like this one.

Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.

Your take
Rate it
star-clip-1-0star-clip-2-0star-clip-3-0star-clip-4-0star-clip-5-0
React
Discussion

Discussion

⌘↵ to post

What does your Movie DNA look like?

Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.

Calibrate yourself