The Web of the Spider
- heavy
- measured
- intense
- bleak
- cold
Alan Foster, a professional American journalist, travels to London to meet with Edgar Allan Poe for an interview. While in London, Alan soon finds himself in the company of Lord Blackwood, and Alan accepts a bet to spend a night in his castle
Our read · The Web of the Spider (1971) reads as a heavy, measured, inventive gothic · ghost · poe entry — measured in intensity, intimate in scope, cold in temperature, nihilistic in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of The Web of the Spider
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
Discussion
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Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
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