This Gun for Hire
- sombre
- brisk
- intense
Sadistic killer-for-hire Philip Raven becomes enraged when his latest job is paid off in marked bills. Vowing to track down his double-crossing boss, nightclub executive Gates, Raven sits beside Gates' lovely new employee, Ellen, on a train out of town. Although Ellen is engaged to marry the police lieutenant who's hunting down Raven, she decides to try and set the misguided hit man straight as he hides from the cops and plots his revenge.
Our read · This Gun for Hire (1942) reads as a sombre, kinetic, grounded noir · crime · thriller entry — measured in intensity, mid-stakes in scope, cold in temperature, ambivalent in outlook. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
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The shape of This Gun for Hire
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
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