Those Who Love Me Can Take the Train
- sombre
- intense
A group of mourners travels by train to bury a recently deceased artist in Limoges. As they journey, secrets and desires unfold, with relationships shifting, past loves resurfacing, and personal connections revealed. At the funeral and afterward, tensions rise among the group, leading to further emotional complexities at the artist’s family home.
Our read · Those Who Love Me Can Take the Train (1998) reads as a sombre, steady, inventive drama · art house · ensemble entry — measured in intensity, intimate in scope, measured in temperature, ambivalent in outlook, with a strong directorial signature. Hand-scored on twelve axes of taste — mood, pacing, weirdness, hope, stakes, humour, reality, density, warmth, auteur, intensity, and era — with a derived palette drawn from its dominant cinematography.
No streaming listing for Latvia right now — try the search links below.
More info & search links
The shape of Those Who Love Me Can Take the Train
The reading.
Each axis is hand-scored — not derived from votes or genre averages. The marker shows where this film sits; the gradient fill uses the film's own cinematography palette.
Eight films that read most like this one.
Geometric closeness in the twelve-axis space — pure DNA distance, not “people also liked.” Distance numbers are listed under each title for sceners who like to know the maths.
Discussion
What does your Movie DNA look like?
Rate a few films you've seen. We map your taste across the same twelve axes and find the films you'll actually want to watch tonight.
Calibrate yourself